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Taking A Painting Backwards

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Taking A Painting Backwards

We all want to finish our paintings, but sometimes we have to take them a few steps backward in order to finish them. This takes courage and big moves, but in my experience always results in a better outcome. In this short Vlog, I demonstrate the process of taking a painting backward to finish it.

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Choosing Colours

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Choosing Colours

When choosing the right colour in my paintings I use a simple process of asking questions to establish what type of colour will look best. Once I have established the colour type the options are narrowed and I know exactly what colour to mix in order to create harmony or contrast. This process takes away the guesswork when mixing colour.

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Starting A Painting

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Starting A Painting

How I start a series of paintings. Watch as Judy talks about her process, the materials she uses, and what her concerns are as she starts a series of abstract mixed-media paintings.

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The Beauty of Multiples

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The Beauty of Multiples

Working in multiples is a game-changer in producing work of higher quality, reducing anxiety during the process and maintaining consistency throughout your artwork. Watch as I talk you through my most recent series of paintings and how working on one informs the decisions made in the others.

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Do You Have A Hero?

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Do You Have A Hero?

I’m taking more time to mix colours that are ‘right’. Suddenly I hear a chorus of “What exactly is a ‘right’ colour?” Of course, there is no such one colour. A ‘right’ colour is one that looks absolutely gorgeous next to the colour around it. I’m not being haphazard and just seeing what appears – I’m thinking, what exactly do I want?

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A Painting's Journey

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A Painting's Journey

Deciding to rework a painting can often be seen as taking a backward step. But following your intuition and listening to your guiding inner voice is essential. Until you LOVE your paintings - they are not finished.

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SHOULD You Use A Sketchbook?

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SHOULD You Use A Sketchbook?

“How can you call yourself an Artist if you don’t have a sketchbook?” Well, I explore my ideas in the process of my paintings on the canvas. I love trying this and that right there on the canvas. And I love that these explorations become part of the painting and are embedded in the surface.

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Finishing Again

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Finishing Again

How do you know when you’re finished is one of THE most frequently asked questions, and probably the most difficult to answer. Well, you just know – you know? How do I go about deciding that perhaps… maybe it’s possibly… quite probably finished or…. almost done – nearly?

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BIG Moves

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BIG Moves

Making big moves towards the end of a painting requires courage. Watch as I talk you through why I needed to change this painting, and how I got brave enough to do it.

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From Start to Finish - in a nutshell

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From Start to Finish - in a nutshell

Someone asked me to explain my process. The clock was ticking, we were closing in on the hour and that’s a big question. So I summed it up by saying “I add, add, add and then I start seeing shapes, decide what the paintings going to be about and then edit.” If only it was that simple…

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Other People's Opinions

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How to be strong and resolute in the face of unwanted opinions. Asking the right people and asking the right questions will help us move forward with our painting and not be steered off course in our painting journey.

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Building Layers with Mixed Media

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Building Layers with Mixed Media

How do you integrate drawing and painting techniques in your artwork? Watch how I vary wet and dry media with differences in types of paint application. Working in this way holds my interest in the process and delivers variety to work with going forward.

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How To Catch The Viewer's Eye?

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How To Catch The Viewer's Eye?

How do we get the viewer to notice our work? What makes us look twice at something? Knowing how to attract the viewers eye helps us to make more powerful Art.

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Opposites & Aliens

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Opposites & Aliens

When I paint I ask myself a series of questions. My number 1 question is: What is the Opposite of...? Finding a balance between Opposites and Relationships delivers harmony and interest in your work. Watch the video as I demonstrate using one of my favourite paintings.

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How to Start a Painting

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How to Start a Painting

Some people agonize over starting their paintings, which is a shame really because it’s like setting off on an adventure – but the best sort of adventure. You don’t have to scale heights, get wet, lost or hungry, you don’t even have to leave home. But you ARE venturing into the unknown with very little idea of what will result from the experience.

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Photo Transfers

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Learn how to do Photo Transfers.

Materials used: Heavy Gel Medium onto Laserjet Photocopy on photocopying paper

Then Soft Gel Gloss to stick the Photo-skin to the painting surface.

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Questions to ask...

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New Beginnings...

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New Beginnings...

I also really enjoyed letting loose with drawing and using dry media a lot more in my paintings when I was working on the large sized paintings. This added a playful looseness which I really liked and prevented me working in a straight-line towards finishing when after each painting session I would draw and scribble over the painting. Coming back into it the next day I would cover a lot of the drawing over but the little remnants that peeped through were really fun suggesting a naivety which I liked.

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Finishing a Painting II

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Finishing a Painting II

Follow the final moves as I bring this mixedmedia painting to it’s finished state. This painting integrates photocopied images with paint and collage.