Finding Direction in Abstract Painting
Last week you would have watched about the breakthrough and moving ahead with my paintings. And suddenly, this painting is taking me on a very bumpy journey - and you're all coming along for the ride!
At the moment, what it means to me is that this painting will be rich in layers, have AMAZING texture, and is taking longer to reveal itself... that's all. I can't describe the process, I'll just leave you to watch me making some very dubious decisions.
The First Layers
Preparing for Painting
Taking A Painting Backwards
The Beauty of Multiples
Permission To Paint
Selling Your Art
Building Layers with Mixed Media
Painting with Total Abandon
The journey from difficulty and confusion to clarity and joy. That’s the path we are all on with our Art. We are all at different stages of that path – some at the beginning bogged down among the weeds, and others further along emerging into openness where the path widens and the walking is more easy. We can kind of see the way forward – a bit.
How To Catch The Viewer's Eye?
Do the Groundwork Women!
My most recent experience of husbands getting involved with choosing artwork had not ended happily. ‘Dance Steps for Men’ was rejected by a husband (who I assumed couldn’t dance) after his poor wife had come from out of town to see it and almost had the picture hook nailed into her living room wall in anticipation.
How to Start a Painting
Some people agonize over starting their paintings, which is a shame really because it’s like setting off on an adventure – but the best sort of adventure. You don’t have to scale heights, get wet, lost or hungry, you don’t even have to leave home. But you ARE venturing into the unknown with very little idea of what will result from the experience.
Questions to ask...
New Beginnings...
I also really enjoyed letting loose with drawing and using dry media a lot more in my paintings when I was working on the large sized paintings. This added a playful looseness which I really liked and prevented me working in a straight-line towards finishing when after each painting session I would draw and scribble over the painting. Coming back into it the next day I would cover a lot of the drawing over but the little remnants that peeped through were really fun suggesting a naivety which I liked.
Is there ‘Precious’ in your Studio?
Finally, the insistent call of the outside world drags us away and we close the studio door on that tangled grid-locked mess of paint, hope, and self-belief. As we square up to the dishwasher and the dusting that secret smile is now a nagging sense of dread. Am I good enough? Why can’t I figure this out? I’ve killed my precious ….
Learning to make Art without Fear
Sealing & Varnishing
My Why - Why do I paint and Why do I teach?
When I was growing up there was no such thing as a ‘why’. Well, we didn’t know we all had one or at least there was no drive to examine our motives and find out. I remember doing quite a lot of motive examination directed by the nuns – but I always fell short and found myself counting down to the next confessional to cleanse my soul.