What's Your Hero?
Abstract painting can often look like 'wallpaper'. It has no focal point and the viewers eye is left to roam often unable to discern what the artist wants them to see, feel or gain from their painting. What these paintings need is a hero. Here I talk about deciding on a hero when developing an abstract painting.
Your Painting Style
Is Your Painting WRONG?
Artists are WEIRD
I think everyone’s a little weird – even though most of the time we try to hide it. But artists are especially weird. I mean, it’s a bit looney-tunes to get really excited about a dribble of paint, or a torn edge of paper or a smudge next to a lump. Those are some of my pet loves, I wouldn’t mind betting you could match mine with a few of your own.
Do You Have A Hero?
I’m taking more time to mix colours that are ‘right’. Suddenly I hear a chorus of “What exactly is a ‘right’ colour?” Of course, there is no such one colour. A ‘right’ colour is one that looks absolutely gorgeous next to the colour around it. I’m not being haphazard and just seeing what appears – I’m thinking, what exactly do I want?
A Painting's Journey
About Winning Art2Life 1st Prize
The Power of Pretending
From Start to Finish - in a nutshell
My Studio – What it’s REALLY like
Painting with Total Abandon
The journey from difficulty and confusion to clarity and joy. That’s the path we are all on with our Art. We are all at different stages of that path – some at the beginning bogged down among the weeds, and others further along emerging into openness where the path widens and the walking is more easy. We can kind of see the way forward – a bit.
How to Start a Painting
Some people agonize over starting their paintings, which is a shame really because it’s like setting off on an adventure – but the best sort of adventure. You don’t have to scale heights, get wet, lost or hungry, you don’t even have to leave home. But you ARE venturing into the unknown with very little idea of what will result from the experience.
Perspective
Questions to ask...
New Beginnings...
I also really enjoyed letting loose with drawing and using dry media a lot more in my paintings when I was working on the large sized paintings. This added a playful looseness which I really liked and prevented me working in a straight-line towards finishing when after each painting session I would draw and scribble over the painting. Coming back into it the next day I would cover a lot of the drawing over but the little remnants that peeped through were really fun suggesting a naivety which I liked.
Is there ‘Precious’ in your Studio?
Finally, the insistent call of the outside world drags us away and we close the studio door on that tangled grid-locked mess of paint, hope, and self-belief. As we square up to the dishwasher and the dusting that secret smile is now a nagging sense of dread. Am I good enough? Why can’t I figure this out? I’ve killed my precious ….
Learning to make Art without Fear
My Why - Why do I paint and Why do I teach?
When I was growing up there was no such thing as a ‘why’. Well, we didn’t know we all had one or at least there was no drive to examine our motives and find out. I remember doing quite a lot of motive examination directed by the nuns – but I always fell short and found myself counting down to the next confessional to cleanse my soul.
