In this video I show what media and tools I use to start my paintings. I want to quickly create a surface full of interest with shape, line and colour as well as creating texture and variety in paint effects. Watch me demonstrate in my sketchbook exactly how I start my large canvases by combining shape, line and texture with a range of media.
The stencil shapes used in the video can be purchased from https://www.stencilgirlproducts.com/stencils-by-Judy-Woods-s/2196.htm.
In this video I explain how to overcome a common problem artists have when they fall out of love with their paintings. This can happen when our style evolves and we grow in our artistic preferences. But what do we do with the older paintings that are still lingering and no longer reflect our new aesthetic?
I discovered a new technique by using Acrylic Ink to loosen the surface of the painting and freed me up to finish the painting again, this time in my new looser style. There were still aspects of the original paintings that I loved and I was able to integrate these with my new style and create a finished painting that I am much happier with.
In the newly finished paintings I used drawing with oil stick as well as flooding the surface of the painting with Acrylic Ink and water. I used these techniques to provide variety in both wet and dry media which enriches the surface and offers the viewer a broader range of experience when viewing the paintings. I was trying to move into a looser style of expression so I needed to soften edges and lose more control of the paint, ink and drawing tools.
I encourage you not to Gesso over older paintings and lose all your beautiful painting. There will be parts that can be integrated with your new style while still maintaining your authenticity. Decide what new media you can bring to the work and without a backward glance forge ahead to bring your work up to date with your growing artistic style.
This is my favourite drawing technique - it results in drawings full of expressive character while also developing strong observational skills. I love this style of drawing because it’s quick, but the results are powerful and surprising. Still life, portrait, landscape drawings can easily capture the essence of the subject and offer creative options for future explorations in paint.
I've recorded this video to show you my process for painting and making a finished piece in my sketchbook. I create my work, big or small by building in layers, and in this demonstration you will see the full process reduced down to creating an artwork in less than an hour. Don’t forget to download my Markmaking & Painting Promptsheet to bring over 50+ ideas into your studio.
In this video, I demonstrate 2 methods of using Collage in the early stages of an abstract painting. And then how to develop an integrated composition full of surface interest, gorgeous shapes, and a variety of lines. This is all done in my sketchbook and gives you ideas for a quick and effective painting exercise to try yourself.
When people get stuck in their work it's usually because they are trying to do something when they're not ready or asking the wrong questions at the wrong time in the development of the work.
Once they know at what stage they're at with the work and what they should be focusing on then they know what questions to ask.
For example, if you're at the beginning stage of a painting you don't start analysing whether you've got the colours right, or whether the design is strong. Those are questions for later.
In this week's Vlog I demonstrate what to focus on at the various stages of developing a painting.
The best way to find ideas for paintings is through play. Playing with materials and discovering new effects and then responding to what you see developing in front of you is my painting process. Watch this video as I demonstrate this intuitive process of finding a painting through play. See how long it takes before an idea starts to emerge and I find my direction, and then watch as I fine-tune the painting to finish it.
Sketchbooks, for me, are about recording my own growth as an artist. Trying out new mediums, having fun and exploring, and just seeing what happens when I play and paint.
In this video I take you inside my sketchbook, talk about why it’s an invaluable part of my creative practice, and share what type of book I use and some tips for keeping pages unstuck, so that it can become a treasured account of your life and development as an artist.
It’s exciting to start a painting but do you have trouble finishing it? In this video I show you how to start by just playing with media and then a great tip to quickly add interest and intriguing, surprising elements into your work. Then I take you through how to clarify your composition and create a strong finished artwork.
The best art relies on great design. So how do you ensure the design in your abstract painting is strong? In this video, I show you step-by-step a great tip for finding strong design ideas for abstract paintings using work you already have. I’ll show you how to create your own unique shapes and then demonstrate how you can use these to generate ideas for future work.
Blind contour drawings are when you draw without looking at the paper directly, instead you only look at the paper for short moments. I love this style of drawing to gain freedom from realism and to build more character in the work. In this video I show you how to combine Blind Contour drawing with abstract use of media.
In this video, I will take you through the process of creating a painting based on a memory. We will use the technique of building up layers of paint and line to create depth and meaning. This is a very personal project which helps us draw upon our emotions and experiences, this creates something unique and special.
When we're painting, we often struggle to make certain parts of it work. And while struggling with that part, we begin to forget other things around it. But by doing this, we're avoiding making good parts of the picture even better by putting something opposite next to them. In this video I'll explain how you can use this 'opposite' element in your painting to help the good parts of your work shine.
