Questions to ask...

New Beginnings...

New Beginnings...

I also really enjoyed letting loose with drawing and using dry media a lot more in my paintings when I was working on the large sized paintings. This added a playful looseness which I really liked and prevented me working in a straight-line towards finishing when after each painting session I would draw and scribble over the painting. Coming back into it the next day I would cover a lot of the drawing over but the little remnants that peeped through were really fun suggesting a naivety which I liked.

Finishing a Painting II

Finishing a Painting II

Follow the final moves as I bring this mixedmedia painting to it’s finished state. This painting integrates photocopied images with paint and collage.

Is there ‘Precious’ in your Studio?

Is there ‘Precious’ in your Studio?

Finally, the insistent call of the outside world drags us away and we close the studio door on that tangled grid-locked mess of paint, hope, and self-belief. As we square up to the dishwasher and the dusting that secret smile is now a nagging sense of dread. Am I good enough? Why can’t I figure this out? I’ve killed my precious ….

Finishing a Painting

Finishing a Painting

Watch the finishing stage of this mixed media painting with photo collage. In this video I demonstrate how I finished the painting, analysed what it needed and made final changes.

Sealing & Varnishing

Sealing & Varnishing

Follow my process as I demonstrate sealing and varnishing an acrylic mixedmedia painting to get a lovely soft satin finish.

To Change or Not To Change Your Painting?

To Change or Not To Change Your Painting?

What do you do when you have a painting that is ‘ALMOST ‘ right? I had changed my mind about a painting, I liked a lot of it, but there was something not quite right….

Stop trying to finish your paintings?

Stop trying to finish your paintings?

the more I know about my practice the more I realise it’s important not to THINK about finishing while I’m painting, and actually to defer finishing for as long as I can.

Be Battle-Ready with your Painting Process

Be Battle-Ready with your Painting Process

Another confession: when I stepped into the studio yesterday on our return and looked at my 4 large paintings leaning against the wall, I felt slightly anxious. How can I move them forward? how can I find some clarity? Can I actually do this?

How To Create Irresistable Texture in Your Painting

Arriving at the final destination so soon in a painting’s journey deprives it of a history and depth in character which only a more lengthy process will give. A painting that is cut short of this process has a ‘thinness’ or a flat feel about it. What you see on the surface is all there is. When a painting has texture it delivers so much more and can be irresistible when the viewer moves in close.

10 Tips for Painting BIG

10 Tips for Painting BIG

Recently I have started 4 new paintings. These babies are BIG!! Well, they’re the biggest paintings I‘ve ever done. Initially I was a little nervous about starting them as this was foreign territory. I tried not to dwell on the volume of expensive paint I was going to consume, so to quell that nagging fear I ordered another bucket of gesso. That would get me started. I bought myself a couple of wider bigger brushes and I bought a squeegee so I could move the paint around the canvas quickly with one swoop. I was concerned with economy & efficiency you see.

The 4 Stages of a Painting

The 4 Stages of a Painting

It’s helpful to be clear about the stage of the painting you are in, and what the objective of each stage is. It’s also important to take time moving through the stages and not rush to the end.

Finding Your Style

Finding Your Style

You don’t have to know what your style is when you embark on your artists journey. When you are further down the path, you can look back and you will see the clues. Colours, marks, techniques you have favoured. Combinations of shapes and preferences for compositional arrangements that seem to keep popping up in your work.

Unfinished Paintings

Unfinished Paintings

This last week I’ve been creating content for my new course FIX & FINISH. In this course I will equip my students with a process so they can expect to finish all their paintings and be happy with them. They will start a painting knowing that they will be able to navigate to the end and solve any problem they encounter on the way. In the back of my mind I can hear the doubters saying “Wow, that’s a tall order. Every painting?” Yes, EVERY PAINTING!!

The Top Tool in my Paintbox

The Top Tool in my Paintbox

This belief is more important to the creation of good Art than the best quality paints, substrates or the size of your studio. So how do you manufacture this mindset? Like everything else you want to get good at, you practice.

Gels & Mediums - What I Use

Gels & Mediums - What I Use

In between then and 2017 when I started painting again some bright spark came up with the idea of adding thick clear acrylic ie. colourless paint to Acrylic paint so that it would behave a little more like oil paint. And so, Gels and Mediums were born.

Painting is My Teacher

Painting is My Teacher

Some paintings have given me learning that has freed me up completely, adjusted my thinking and changed the narrative that plays in my head. One in particular I will always be grateful for as it gave me an anchor that ever since has kept me secure and absolutely embedded in the knowledge that whatever I do in a painting it will all be for the good.

How to Mount Works on Paper onto a Cradled Panel

How to Mount Works on Paper onto a Cradled Panel

This week I’m not going to inspire you, challenge you or even make you chuckle. I’m going to tell you how to take a work on paper and get it on the wall without spending a ton of money at the framers, and still achieving a result that looks like quality.

Selling: the elusive WHITE WALLS

Selling: the elusive WHITE WALLS

I will happily sell my work online to anyone who wants to buy, and I will happily ship my paintings off to galleries if they want to sell my work. I’ll even book another Art Fair next year. But I’m not going to do mental gymnastics trying to come up with new venues and ways of getting my work on other people’s walls in front of other people’s eyes. I don’t really care enough.

Just FRAME IT!!

Just FRAME IT!!

On reflection, this process of decision making and being stuck and stalled in indecision has given me renewed insight. I see this in many artists who ask my advice about their paintings. They are stuck, they have a hunch on what they should do, but they need affirmation that this is the right course of action and they lack the courage to act in case they ruin the work.