Imposter Syndrome

Perspective

Perspective

How do you achieve Perspective in your practice? I’m not talking perspective achieved by ruling lines and identifying vanishing points. I’m talking about how you keep a healthy balance between the good and the not so good that happens along the way in your Art Practice.

Be Battle-Ready with your Painting Process

Be Battle-Ready with your Painting Process

Another confession: when I stepped into the studio yesterday on our return and looked at my 4 large paintings leaning against the wall, I felt slightly anxious. How can I move them forward? how can I find some clarity? Can I actually do this?

How A Self-Doubter Became A BELIEVER

How A Self-Doubter Became A BELIEVER

At what point did I decide to stand up, fluff up my feathers and start squarking? (Is that a word?) On reflection two momentous events happened that woke me up. Firstly, my father died.

Criticism and Creativity – Can they Co-exist?

Criticism and Creativity – Can they Co-exist?

When I was 11 it was my legs, in my teens it was my freckles, my boobs – or lack of, my teeth, certain aspects of my parents, our religion and the family car. In my 20’s still the boob thing, lack of career direction and my inability to hook a decent man. My 30’s saw the concern about the man intensify.. In my 40’s it was a general lack of organisation, uncontrol of my two young children – (yes, I managed to find myself a man.) My 50’s has been all about my internal thermometer control and sleep – both far too erratic. What has all this got to do with Abstract Painting?

The Top Tool in my Paintbox

The Top Tool in my Paintbox

This belief is more important to the creation of good Art than the best quality paints, substrates or the size of your studio. So how do you manufacture this mindset? Like everything else you want to get good at, you practice.

How to Start Painting

How to Start Painting

There was a time when starting a painting was both exciting and frightening. I would sit gazing into space wondering what the painting would look like, what did I want to paint, would others like it….?? Ultimately all these questions would lead me to face the biggest question of all WAS I GOOD ENOUGH? Before I had even squeezed some paint onto the palette I was facing a battle. I wouldn’t back down, but it was definitely a fight. Sometimes my enemy would allow me some small gains, but always there was the lingering doubt that someone would discover that I really wasn’t good enough. I wore The Imposter Syndrome like a heavy weighted hat on my head.