Some people agonize over starting their paintings, which is a shame really because it’s like setting off on an adventure – but the best sort of adventure. You don’t have to scale heights, get wet, lost or hungry, you don’t even have to leave home. But you ARE venturing into the unknown with very little idea of what will result from the experience.
Learn how to do Photo Transfers.
Materials used: Heavy Gel Medium onto Laserjet Photocopy on photocopying paper
Then Soft Gel Gloss to stick the Photo-skin to the painting surface.
I also really enjoyed letting loose with drawing and using dry media a lot more in my paintings when I was working on the large sized paintings. This added a playful looseness which I really liked and prevented me working in a straight-line towards finishing when after each painting session I would draw and scribble over the painting. Coming back into it the next day I would cover a lot of the drawing over but the little remnants that peeped through were really fun suggesting a naivety which I liked.
Finally, the insistent call of the outside world drags us away and we close the studio door on that tangled grid-locked mess of paint, hope, and self-belief. As we square up to the dishwasher and the dusting that secret smile is now a nagging sense of dread. Am I good enough? Why can’t I figure this out? I’ve killed my precious ….
Arriving at the final destination so soon in a painting’s journey deprives it of a history and depth in character which only a more lengthy process will give. A painting that is cut short of this process has a ‘thinness’ or a flat feel about it. What you see on the surface is all there is. When a painting has texture it delivers so much more and can be irresistible when the viewer moves in close.
Recently I have started 4 new paintings. These babies are BIG!! Well, they’re the biggest paintings I‘ve ever done. Initially I was a little nervous about starting them as this was foreign territory. I tried not to dwell on the volume of expensive paint I was going to consume, so to quell that nagging fear I ordered another bucket of gesso. That would get me started. I bought myself a couple of wider bigger brushes and I bought a squeegee so I could move the paint around the canvas quickly with one swoop. I was concerned with economy & efficiency you see.
You don’t have to know what your style is when you embark on your artists journey. When you are further down the path, you can look back and you will see the clues. Colours, marks, techniques you have favoured. Combinations of shapes and preferences for compositional arrangements that seem to keep popping up in your work.
This last week I’ve been creating content for my new course FIX & FINISH. In this course I will equip my students with a process so they can expect to finish all their paintings and be happy with them. They will start a painting knowing that they will be able to navigate to the end and solve any problem they encounter on the way. In the back of my mind I can hear the doubters saying “Wow, that’s a tall order. Every painting?” Yes, EVERY PAINTING!!
Some paintings have given me learning that has freed me up completely, adjusted my thinking and changed the narrative that plays in my head. One in particular I will always be grateful for as it gave me an anchor that ever since has kept me secure and absolutely embedded in the knowledge that whatever I do in a painting it will all be for the good.
