Criticism and Creativity – Can they Co-exist?
When I was 11 it was my legs, in my teens it was my freckles, my boobs – or lack of, my teeth, certain aspects of my parents, our religion and the family car. In my 20’s still the boob thing, lack of career direction and my inability to hook a decent man. My 30’s saw the concern about the man intensify.. In my 40’s it was a general lack of organisation, uncontrol of my two young children – (yes, I managed to find myself a man.) My 50’s has been all about my internal thermometer control and sleep – both far too erratic. What has all this got to do with Abstract Painting?
The 4 Stages of a Painting
Finding Your Style
You don’t have to know what your style is when you embark on your artists journey. When you are further down the path, you can look back and you will see the clues. Colours, marks, techniques you have favoured. Combinations of shapes and preferences for compositional arrangements that seem to keep popping up in your work.
The Top Tool in my Paintbox
Painting is My Teacher
Some paintings have given me learning that has freed me up completely, adjusted my thinking and changed the narrative that plays in my head. One in particular I will always be grateful for as it gave me an anchor that ever since has kept me secure and absolutely embedded in the knowledge that whatever I do in a painting it will all be for the good.
5 Top Tips to Making Better Art
Selling: the elusive WHITE WALLS
I will happily sell my work online to anyone who wants to buy, and I will happily ship my paintings off to galleries if they want to sell my work. I’ll even book another Art Fair next year. But I’m not going to do mental gymnastics trying to come up with new venues and ways of getting my work on other people’s walls in front of other people’s eyes. I don’t really care enough.
Just FRAME IT!!
On reflection, this process of decision making and being stuck and stalled in indecision has given me renewed insight. I see this in many artists who ask my advice about their paintings. They are stuck, they have a hunch on what they should do, but they need affirmation that this is the right course of action and they lack the courage to act in case they ruin the work.
Is Your Art "GOOD ART"?
Recently a student in my stARTs course reached out to me for some feedback regarding her work. She wanted to know if it was ‘good’. BIG QUESTION. I remember so clearly being at the stage she is at now. Working tirelessly on improving my work and finding my ‘style’. I liked parts of it but was dissatisfied with so much of it and was struggling to find a process that gave me the results that I loved.
You be THE JUDGE
Last night I had an epiphany. I have been mulling over what paintings to enter into a couple of upcoming award shows. This can be a valuable way of gaining credibility and recognition if you become a finalist and have your work exhibited in the show, and also if you should be lucky enough to win an award.
Learning to Paint, play Tennis & Video
Watching them grapple with new techniques and ways of working has made me reflect on learning as a journey. I have gone on many learning journeys over the years and they have been as varied as the learnings that took place within them. When I was in my 40’s I decided I would learn to play tennis. Most people just pick up a tennis racquet sometime in their childhood or adolescence and start playing. I remember picking up the racquet but the playing part just naturally didn’t follow.
How to Start Painting
There was a time when starting a painting was both exciting and frightening. I would sit gazing into space wondering what the painting would look like, what did I want to paint, would others like it….?? Ultimately all these questions would lead me to face the biggest question of all WAS I GOOD ENOUGH? Before I had even squeezed some paint onto the palette I was facing a battle. I wouldn’t back down, but it was definitely a fight. Sometimes my enemy would allow me some small gains, but always there was the lingering doubt that someone would discover that I really wasn’t good enough. I wore The Imposter Syndrome like a heavy weighted hat on my head.
Overcoming a Creative Block
Currently, I’m reading repeatedly artists asking the question: “Are you struggling to work at the moment?” It seems the distractions of the world grappling with the Corona Virus is causing a global creative block. At the same time, people are confined to quarters and looking for something to do to inject some positivity into their lives. So, we have another global problem. Not perhaps quite on the scale of Covid-19, but a problem nonetheless; an urge to be creative and yet a struggle to find the well of creative juices.
Pivot towards Positivity
Things only got worse. In a matter of days we were in national lockdown, my partners business closed and the kids at home for school. For a couple of days it felt surreal, as if we were playing out some blockbuster movie (without the paycheck). Email after email came through cancelling all activities and planned events for the foreseeable future. Normality was on hold and whatever we are living in now is it until who knows when.
Taking Risks (with feet firmly on the ground!)
Creative people are risk takers. Right? Wrong!! I have NEVER been a risk taker. I learnt to swim with my big toe bouncing along the bottom of the pool. During athletic sports I always pushed the hurdles over rather than bang my shins against them when attempting to leap over. My attempt at being a cool mum and going on the Scoobydoo ride at Movieworld literally ended in tears. I don’t ride horses. I don’t go near cows. I give swans and geese a wide birth. A critical and full analysis of every possible risk will usually steer me clear of activities involving speed, altitude, extreme temperatures, wildlife, some domestic life and getting my hair wet.