As we get more confident as artists we often want to paint with more freedom and become more loose with media. Our abstract painting can seem a little tight and contrived to begin with. So how do we let loose with the media but still maintain control with our work to achieve great results? It all comes down to how we use the tools: paint brushes, colour shapers, pencils, pens and dry media. We want the media to flow and make marks that are free and loose, we don’t want to impose too much control when using wet media: paint, acrylic ink etc. And when we use dry media we control the types of line and marks by how we hold the pencil, pastel or pen. In this video I demonstrate how to hold brushes, colour shapers, and dry media to allow the media to flow loosely while also maintaining enough control to get the painting results you want.
Acrylic Ink in Abstract Mixedmedia Painting
In this video I explain how to overcome a common problem artists have when they fall out of love with their paintings. This can happen when our style evolves and we grow in our artistic preferences. But what do we do with the older paintings that are still lingering and no longer reflect our new aesthetic?
I discovered a new technique by using Acrylic Ink to loosen the surface of the painting and freed me up to finish the painting again, this time in my new looser style. There were still aspects of the original paintings that I loved and I was able to integrate these with my new style and create a finished painting that I am much happier with.
In the newly finished paintings I used drawing with oil stick as well as flooding the surface of the painting with Acrylic Ink and water. I used these techniques to provide variety in both wet and dry media which enriches the surface and offers the viewer a broader range of experience when viewing the paintings. I was trying to move into a looser style of expression so I needed to soften edges and lose more control of the paint, ink and drawing tools.
I encourage you not to Gesso over older paintings and lose all your beautiful painting. There will be parts that can be integrated with your new style while still maintaining your authenticity. Decide what new media you can bring to the work and without a backward glance forge ahead to bring your work up to date with your growing artistic style.
Your Guide When Mixing Colour in Abstract Painting
In this video I demonstrate how to use your first colour choice to guide your second colour choice…. until you have a beautiful harmonious colour palette to create an abstract painting. This is simply knowing the right question to ask about the colour you have already mixed when faced with the conundrum about what colour to mix next! Watch the video and then get colour-mixing!!
Exploring Ideas from Collage with Acrylic Paint
In this video I take ideas from a collage and develope them with acrylic paint. Integrating line, texture, shape and using a limited colour range I demonstrate how to create a composition different from the original collage yet still maintaining some similarities through the elements used. This is an exercise in restraint as it forces the artist to focus on just a few elements to integrate with new media. Watch the video and then have a go working from a collage or another painting done earlier in the same way. 1. Identify the elements you want to focus on, and then 2. with different media create a new composition using these elements again but this time in a new way.
Discovering Depth in BLUE Acrylic Layers
Inviting your BEST into your Painting
Don’t PLAN - Just PLAY to create an abstract painting
By combining paint, pencils, pastel and a little collage, you can create gorgeous effects and surprises that add life to your painting. In this video I’ll show you a few different techniques I use by combining a range of media to create an abstract painting. Keeping your work fresh and playful by varying the media and how you use it, you can create a playful abstract composition. Watch the video and then give this a try!
How to draw with character and expression
This is my favourite drawing technique - it results in drawings full of expressive character while also developing strong observational skills. I love this style of drawing because it’s quick, but the results are powerful and surprising. Still life, portrait, landscape drawings can easily capture the essence of the subject and offer creative options for future explorations in paint.
How to Create Abstract Artwork from Still Life
You may not want to go entirely abstract so by following these 3 simple methods you can explore 3 very different styles of abstract art. I show you how to start with drawing and then by combining drawing with simple shapes, collage, and easy paint effects you can easily abstract your still life with exciting results.
The right mindset and the first moves to ensure success
Starting a painting can be daunting - that blank canvas is like an empty stage waiting for brilliance to arrive! This can be a huge hurdle to overcome when expectations are high. So in this video I’ll share with you how to adopt the right mindset to allow yourself to freely create your best work, and what are some of the first steps you could take on that blank canvas to lead to success. Watch and then let yourself loose on your next painting journey!
Collage & Mixedmedia: Create a Strong Composition
In this demonstration I start with collage and build an abstract painting in layers. Watch as I play loosely with paint, ink and pencil to create a beautiful surface and then find structure within it by creating edges with value contrasts. Butting up light with dark, looseness with structure you can create a beautiful painting by following this experimental process.
How to use the COLOUR SHAPER
Using Drawing & Masking To Create An Abstract Painting
Combining plant forms or representational elements in an abstract painting requires a balancing act where one element doesn’t dominate the composition.
In this demonstration, I’ll show you an effective technique to combine botanical forms with a beautiful abstract paint surface. You’ll see how to integrate various elements and combinations of marks and forms to create a successful strong abstract painting.
1 Hour Art: Creating Layers Of Mixed Media
I've recorded this video to show you my process for painting and making a finished piece in my sketchbook. I create my work, big or small by building in layers, and in this demonstration you will see the full process reduced down to creating an artwork in less than an hour. Don’t forget to download my Markmaking & Painting Promptsheet to bring over 50+ ideas into your studio.
How to Use Thick and Thin Paint to Create a Stunning Painting Surface
How to Add Beautiful Textured Surface to Collage
In the early stages of a painting I focus on building a beautiful surface with lots of texture, markmaking and a variety of paint effects. In this video I demonstrate how to do this using only black and white paint over the top of a collage base.
Following this process offers so many opportunities and directions and ensures your work will be rich with surprises for the viewer.
Let's Practice Design Fundamentals With Black And White Shapes
Artists often feel like they have to find `The Idea' for a painting before they paint. This video shows how studying design (the fundamental principles of design that apply across all mediums) can help you generate many ideas, starting with an old calendar. I’ll show you how to find great design, what to look for and then how to look for more design ideas within the work you’ve created.
2 Different Methods of Using Collage in Abstract Painting
In this video, I demonstrate 2 methods of using Collage in the early stages of an abstract painting. And then how to develop an integrated composition full of surface interest, gorgeous shapes, and a variety of lines. This is all done in my sketchbook and gives you ideas for a quick and effective painting exercise to try yourself.
The BEST 6 TIPS on How To Get Started with Abstract Art
Knowing THE STAGES OF A PAINTING gives you a roadmap so you won’t get stuck
When people get stuck in their work it's usually because they are trying to do something when they're not ready or asking the wrong questions at the wrong time in the development of the work.
Once they know at what stage they're at with the work and what they should be focusing on then they know what questions to ask.
For example, if you're at the beginning stage of a painting you don't start analysing whether you've got the colours right, or whether the design is strong. Those are questions for later.
In this week's Vlog I demonstrate what to focus on at the various stages of developing a painting.